I knew the transition from the idyllic surroundings of Aberystwyth, to the landlocked Midlands, would be a challenge. However, after spending time within this environment, I have found plenty of inspiration. By having my camera on hand, I have been able to record potential painting compositions, and assess them later on, back in the studio. This has been particularly useful during the cold weather, when I am unable to work outdoors. My recent photographs, and paintings, demonstrate an interest in the land which is disrupted by unnatural features. This presents a complete contrast from the focus of my practice when situated in Wales, where I would mostly avoid any trace of human presence within my work.
One of the most obvious disruptions within the landscape where we live is the Pye Green Tower, situated right on the edge of Cannock Chase. This structure protrudes above the treetops of the forest, providing a point of reference for us at all times. Its dominant presence within the forest inspired the painting Home is where the Tower is. The intrusion of this contemporary structure within this space is accentuated by the portrait orientation of the canvas and the contrasting forms of the trees.
Another view which is disrupted by man-made structures, has recently been altered. The painting “Expired View” was inspired by a view of Rugeley power station, from Cannock Chase, which has long been due for demolition. Since this painting was created, the main chimney has been demolished, and later on this year the cooling towers will also have been erased from this view. The site of the power station will eventually be transformed into a residential area, which of course will be concealed by the trees of the Chase. Built in 1964, the demolition of the power station will restore the former view of the natural Landscape.
Adalia Mynett 